Le temps donné aux tableaux : (notice nᵒ 15133)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03514 a2200493 4500 |
| 001 - CONTROL NUMBER | |
| control field | OB-enseditions-16682 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | FrMaCLE |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251214082837.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cu ||||||m|||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 210201e||||||||xx |||||s|||||||||0|fr|d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 979-10-362-0119-6 |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.4000/books.enseditions.16682 |
| Source of number or code | doi |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | FR-FrMaCLE |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fra |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Passeron, Jean-Claude |
| 245 13 - TITLE STATEMENT | |
| Title | Le temps donné aux tableaux : |
| Remainder of title | Une enquête au musée Granet, augmentée d'études sur la réception de la peinture et de la musique / |
| Statement of responsibility, etc. | Jean-Claude Passeron, Emmanuel Pedler. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Lyon : |
| Name of publisher, distributor, etc. | ENS Éditions, |
| Date of publication, distribution, etc. | 2021. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 318 p. |
| 500 ## - GENERAL NOTE | |
| General note | Ebook |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | En 1987, une équipe d’enquêteurs emmenée par Jean-Claude Passeron et Emmanuel Pedler a suivi les visiteurs du musée Granet d’Aix-en-Provence, chronomètre en main. L’objectif : mettre en évidence les ressorts sociaux du « temps donné aux tableaux ». C’est de cette étude originale que rend compte cet ouvrage initialement paru en 1991, et qui a été beaucoup plus souvent cité que véritablement lu. La réédition qu’en propose aujourd’hui la Bibliothèque idéale des sciences sociales est augmentée de plusieurs textes importants dans lesquels les deux sociologues ont poursuivi ces analyses sur la réception des œuvres artistiques, à la fois dans le domaine pictural et dans le domaine musical. S’attachant à décrire et mesurer précisément les « pactes » de réception artistique qui se nouent ainsi entre les œuvres et leurs publics, l’ensemble propose une approche centrée sur le sort réservé à des œuvres singulières, qui se distingue des enquêtes sur la consommation culturelle encore aujourd’hui largement dominantes en sociologie de la culture. The sociology of the reception of artistic works attempts to exploit the fact – often mentioned in theoretical terms but rarely explored empirically – that works only exist and last because of the interpretative activity of their viewers: readers and spectators are always present as third parties placed between the meaning which the artist gave to their work and that which is attributed by those whose receive it. In order to apprehend such acts of reception a team of researchers lead by Jean-Claude Passeron and Emmanuel Pedler in 1987 followed visitors to the Musée Granet in Aix-en Provence chronometer in hand. Their aim was to uncover the social factors which underlie the ‘time given to the paintings’. Since its publication in 1991 the present work, which gave an account of the original study, has been cited rather more often that it has been read. Now reedited in the Bibliothèque idéale des sciences sociales it has been augmented by… |
| 540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE | |
| Terms governing use and reproduction | OpenEdition Books License |
| Uniform Resource Identifier | <a href="https://www.openedition.org/12554">https://www.openedition.org/12554</a> |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Art |
| Topical term or geographic name entry element | Sociology & Anthropology |
| Topical term or geographic name entry element | Sociology |
| Topical term or geographic name entry element | sociologie |
| Topical term or geographic name entry element | culture |
| Topical term or geographic name entry element | art |
| Topical term or geographic name entry element | peinture |
| Topical term or geographic name entry element | réception |
| Topical term or geographic name entry element | musée |
| Topical term or geographic name entry element | sociology |
| Topical term or geographic name entry element | culture |
| Topical term or geographic name entry element | art |
| Topical term or geographic name entry element | painting |
| Topical term or geographic name entry element | reception |
| Topical term or geographic name entry element | museum |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Pedler, Emmanuel |
| Personal name | Coavoux, Samuel |
| Personal name | Martinache, Igor |
| Personal name | Mercklé, Pierre |
| 760 0# - MAIN SERIES ENTRY | |
| International Standard Serial Number | 2274-164X |
| 776 ## - ADDITIONAL PHYSICAL FORM ENTRY | |
| International Standard Book Number | 979-10-362-0118-9 |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Data provenance | Coavoux, Samuel |
| Uniform Resource Identifier | <a href="https://books.openedition.org/enseditions/16682">https://books.openedition.org/enseditions/16682</a> |
| Link text | Le temps donné aux tableaux |
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