Acoustemologies in Contact : (Record no. 8389)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03062 a2200469 4500 |
| 001 - CONTROL NUMBER | |
| control field | OB-obp-19143 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | FrMaCLE |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251214082709.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cu ||||||m|||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 210607e||||||||xx |||||s|||||||||0|en|d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 979-10-365-7033-9 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | FR-FrMaCLE |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Wilbourne, Emily |
| 245 10 - TITLE STATEMENT | |
| Title | Acoustemologies in Contact : |
| Remainder of title | Sounding Subjects and Modes of Listening in Early Modernity / |
| Statement of responsibility, etc. | Emily Wilbourne, Suzanne G. Cusick. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Cambridge : |
| Name of publisher, distributor, etc. | Open Book Publishers, |
| Date of publication, distribution, etc. | 2021. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | x-337 p. |
| 500 ## - GENERAL NOTE | |
| General note | Ebook |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence-from New France and New Spain, to the slave ships of the Middle Passage, to China. Europe, and the Mediterranean court environment-this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of ’the canon’ in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery. As with all Open Book publications, this entire book is available to read for free on the publisher’s website. Printed and digital editions, together with supplementary digital material, can also be found at www.openbookpublishers.com |
| 540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE | |
| Terms governing use and reproduction | CC-BY-4.0 |
| Uniform Resource Identifier | <a href="https://creativecommons.org/licenses/by/4.0/">https://creativecommons.org/licenses/by/4.0/</a> |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Music |
| Topical term or geographic name entry element | Europe |
| Topical term or geographic name entry element | slavery |
| Topical term or geographic name entry element | race |
| Topical term or geographic name entry element | identity |
| Topical term or geographic name entry element | global history |
| Topical term or geographic name entry element | subjectivity |
| Topical term or geographic name entry element | exploitation |
| Topical term or geographic name entry element | empire |
| Topical term or geographic name entry element | sound |
| Topical term or geographic name entry element | difference |
| Topical term or geographic name entry element | early modernity |
| Topical term or geographic name entry element | the body |
| Topical term or geographic name entry element | musicology |
| Topical term or geographic name entry element | cosmopolitanism |
| Topical term or geographic name entry element | canon |
| Topical term or geographic name entry element | colonialism |
| Topical term or geographic name entry element | decolonisation |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Cusick, Suzanne G. |
| 776 ## - ADDITIONAL PHYSICAL FORM ENTRY | |
| International Standard Book Number | 978-1-80064-035-1 |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Data provenance | Wilbourne, Emily |
| Uniform Resource Identifier | <a href="https://books.openedition.org/obp/19143">https://books.openedition.org/obp/19143</a> |
| Link text | Acoustemologies in Contact |
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