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On Reenactment: Concepts, Methodologies, Tools / (notice nᵒ 8465)

détails MARC
000 -LEADER
fixed length control field 02965 a2200421 4500
001 - CONTROL NUMBER
control field OB-aaccademia-11990
003 - CONTROL NUMBER IDENTIFIER
control field FrMaCLE
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20251214082710.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cu ||||||m||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 221213e||||||||xx |||||s|||||||||0|en|d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 979-12-5500-019-8
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.4000/books.aaccademia.11990
Source of number or code doi
040 ## - CATALOGING SOURCE
Original cataloging agency FR-FrMaCLE
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Baldacci, Cristina
245 10 - TITLE STATEMENT
Title On Reenactment: Concepts, Methodologies, Tools /
Statement of responsibility, etc. Cristina Baldacci, Susanne Franco.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Torino :
Name of publisher, distributor, etc. Accademia University Press,
Date of publication, distribution, etc. 2022.
300 ## - PHYSICAL DESCRIPTION
Extent 208 p.
500 ## - GENERAL NOTE
General note Ebook
520 ## - SUMMARY, ETC.
Summary, etc. This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies – especially intertwining gender, postcolonial, and environmental issues – in the redefinition of knowledge, historical discourses, and memory. This approach also involves questioning canons and genealogies by destabilising authorship and challenging both institutional and direct forms of transmission. The structure of the book playfully recalls that of a theatrical performance, with both an ouverture and prélude, to provide space for a series of theoretical and practice-based insights – the solos – and conversations – the duets – by artists, critics, curators, and theorists who have dealt with reenactment. The main purpose of this book is to demonstrate how reenactment as a strategy of appropriation, circulation, translation, and transmission can contribute to understanding history both in its perpetual becoming and as a process of reinvention, renarration, and resignification from an interdisciplinary perspective.
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction CC-BY-NC-ND-4.0
Uniform Resource Identifier <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">https://creativecommons.org/licenses/by-nc-nd/4.0/</a>
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Theater
Topical term or geographic name entry element rievocazione storica
Topical term or geographic name entry element storia della danza e dell'arte
Topical term or geographic name entry element performance teatrale
Topical term or geographic name entry element rievocazione come strategia di appropriazione
Topical term or geographic name entry element reconstitution
Topical term or geographic name entry element histoire de la danse et de l'art
Topical term or geographic name entry element représentation théâtrale
Topical term or geographic name entry element la reconstitution comme stratégie d'appropriation
Topical term or geographic name entry element reenactment
Topical term or geographic name entry element history of dance and art
Topical term or geographic name entry element theatrical performance
Topical term or geographic name entry element reenactment as a strategy of appropriation
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Franco, Susanne
776 ## - ADDITIONAL PHYSICAL FORM ENTRY
International Standard Book Number 979-12-5500-017-4
856 4# - ELECTRONIC LOCATION AND ACCESS
Data provenance Baldacci, Cristina
Uniform Resource Identifier <a href="https://books.openedition.org/aaccademia/11990">https://books.openedition.org/aaccademia/11990</a>
Link text On Reenactment: Concepts, Methodologies, Tools

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