01705    a2200349   4500001001200000003000800012005001700020007001500037008004000052020002200092024003200114040001500146041000800161100002400169245011000193260004100303500001000344520066300354540006501017650002701082650001301109650001501122650002401137650001301161650001301174650001401187650001401201650002401215760001401239856008701253999001501340OB-cdf-3094FrMaCLE20251214082607.0cu ||||||m||||131020e||||||||xx |||||s|||||||||0|en|d  a978-2-7226-0271-77 a10.4000/books.cdf.30942doi  aFR-FrMaCLE  aeng1 aRobert, Jean-Noël10aJapanese Hieroglossia :bInaugural lecture delivered on Thursday 2 February 2012 /cJean-Noël Robert.  aParis :bCollège de France,c2013.  aEbook  a At a very early stage, Japanese civilization asserted itself in a relationship of “linguistic competition” with Chinese, in both the religious, the literary, and the intellectual spheres. This cultural symbiosis linked to the shaping of a language, that Jean-Noël Robert has called hieroglossia, was the primary source of the speech that Yasunari Kawabata delivered upon receiving the Nobel Prize in Literature in 1968: By drawing on Japanese Buddhist poetry, he placed himself in the Zen tradition and the mysticism of the language of the Shingon school, according to which there is a direct link between linguistic signs and the substance of things.  aOpenEdition Books Licenseuhttps://www.openedition.org/12554 4aLanguage & Linguistics 4amystique 4aphilologie 4apoésie bouddhique 4areligion 4areligion 4aphilology 4amysticism 4aJapanese literature0 x2109-92354 eRobert, Jean-Noëluhttps://books.openedition.org/cdf/3094yJapanese Hieroglossia  c3664d3664