02000    a2200397   4500001001300000003000800013005001700021007001500038008004000053020002200093040001500115041000800130100002100138245006200159260005800221300001100279500001000290520088100300540006501181650000801246650001201254650001901266650002001285650001101305650002701316650001001343650002201353650002001375650001101395650002001406650001801426650002001444776002201464856010101486999001501587OB-ceup-1144FrMaCLE20251214082615.0cu ||||||m||||130122e||||||||xx |||||s|||||||||0|en|d  a978-963-386-002-1  aFR-FrMaCLE  aeng1 aForgács, Éva14aThe Bauhaus Idea and Bauhaus Politics /cÉva Forgács.  aBudapest :bCentral European University Press,c2013.  a237 p.  aEbook  a Art historian Éva Forgács's book is an unusual take on the Bauhaus. She examines the school as shaped by the great forces of history as well as the personal dynamism of its faculty and students. The book focuses on the idea of the Bauhaus - the notion that the artist should be involved in the technological innovations of mechanization and mass production - rather than on its artefacts. Founded in 1919 by the architect Walter Gropius and closed down by the Nazis in 1933, the Bauhaus had to struggle through the years of Weimar Germany not only with its political foes but also with the often-diverging personal ambitions and concepts within its own ranks. It is the inner conflicts and their solutions, the continuous modification of the original Bauhaus idea by politics within and without, that make the history of the school and Forgács's account of it dramatic.  aOpenEdition Books Licenseuhttps://www.openedition.org/12554 4aArt 4aHistory 4aBauhaus school 4aWeimar Republic 4aNazism 4apolitical implications 4aideas 4aartistic movement 4acultural centre 4adesign 4amass production 4apersonal life 4ainner conflicts  z978-1-85866-012-74 eForgács, Évauhttps://books.openedition.org/ceup/1144yThe Bauhaus Idea and Bauhaus Politics  c4265d4265