| 000 | 03806namaa2200733uu 4500 | ||
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| 001 | oapen100176 | ||
| 003 | oapen | ||
| 005 | 20251217011845.0 | ||
| 006 | a||||fo|||||||||0| | ||
| 007 | cr|mn|---annan | ||
| 008 | 250326s2025a||||fo|||||||||0|eng d | ||
| 020 | _a9781003463139 | ||
| 020 | _a9781032730721 | ||
| 020 | _a9781032732176 | ||
| 024 | 7 |
_a10.4324/9781003463139 _2doi |
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| 040 |
_aoapen _coapen |
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| 041 | 0 | _aeng | |
| 042 | _adc | ||
| 072 | 7 |
_aA _2thema |
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_aCBV _2thema |
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_aCBVS _2thema |
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| 100 | 1 |
_aMitchell, Sian _4aut |
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| 245 | 1 | 0 |
_aThe Screens of Virtual Production _bWhat Is Real? |
| 260 |
_bTaylor & Francis _bRoutledge [Imprint] _c2025 |
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| 300 | _a1 online resource | ||
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_aFree-to-read _fUnrestricted online access _2star |
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| 520 | _aThis book is the first dedicated edited collection that explores the virtualisation of screen-making processes from pre-production to post-production, while attuning to the aesthetic, ideological and performative contexts upended by these integrated technologies. This book explores what is real in virtual production, as a provocative one, implicitly drawing on the philosophies of the moving image and the recent work on new forms of post-human perceptual realism.This edited collection is divided into the following four themed sections. Section One, It's Always Been Real: Contemporising Virtual Production, addresses the histories of film realism in relationship to visual technologies, providing both a theoretical and philosophical 'anchor' point for the collection, and a necessary genealogy. Section Two, The Body Becomes You: Performing Virtual Production, examines the transformation that occurs in immersive virtual worlds, while also exploring how the body is itself virtualised. Section Three, Skin Deep: Gazing with Virtual Production, addresses the way race, ethnicity, gender and environment are supposedly equalised, and yet are still found to reproduce the colonised looking regimes of western, mainstream screen culture. Section Four, Whose Work? Labouring with Virtual Production, draws together writing that examines the way production processes have been transformed, affecting not only work patterns but also the way aesthetics, form and function, operate. This book encompasses many production themes and will appeal to media students and professionals interested in the production of film. | ||
| 540 |
_aOpen licence _0https://oapen.org/article/rights |
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| 546 | _aeng | ||
| 650 | 7 |
_aCreative writing and creative writing guides _2thema |
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| 650 | 7 |
_aFilmmaking and production: technical and background skills _2thema |
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| 650 | 7 |
_aFilms, cinema _2thema |
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| 650 | 7 |
_aLanguage and Linguistics _2thema |
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| 650 | 7 |
_aLanguage: reference and general _2thema |
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| 650 | 7 |
_aPerforming arts _2thema |
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| 650 | 7 |
_aScreenwriting techniques _2thema |
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| 650 | 7 |
_aTelevision _2thema |
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| 650 | 7 |
_aThe Arts _2thema |
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| 653 | _aanimation | ||
| 653 | _afilm | ||
| 653 | _aFilm production | ||
| 653 | _anarrative | ||
| 653 | _aPost-production | ||
| 653 | _aPre-production | ||
| 653 | _ascreen-making | ||
| 653 | _astorytelling | ||
| 653 | _atelevision | ||
| 653 | _avisual effects | ||
| 700 | 1 |
_aMitchell, Sian _4edt |
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| 700 | 1 |
_aPerry, Colin _4edt |
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| 700 | 1 |
_aRedmond, Sean _4edt |
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| 700 | 1 |
_aTorre, Lienors _4edt |
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| 793 | 0 | _aOAPEN Library. | |
| 856 | 4 | 0 |
_uhttps://library.oapen.org/handle/20.500.12657/100176 _zFree-to-read: OAPEN Library/DOAB: description of the publication _70 |
| 999 |
_c36785 _d36785 |
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