| 000 | 04020namaa2200949uu 4500 | ||
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| 001 | oapen96145 | ||
| 003 | oapen | ||
| 005 | 20251217011846.0 | ||
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| 007 | cr|mn|---annan | ||
| 008 | 250111s2024a||||fo|||||||||0|eng d | ||
| 020 | _a9781003463610 | ||
| 020 | _a9781032733128 | ||
| 020 | _a9781032733135 | ||
| 024 | 7 |
_a10.4324/9781003463610 _2doi |
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| 040 |
_aoapen _coapen |
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| 041 | 0 | _aeng | |
| 042 | _adc | ||
| 072 | 7 |
_aD _2thema |
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_aDS _2thema |
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_aQ _2thema |
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_aQDTQ _2thema |
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_aQDTS _2thema |
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| 100 | 1 |
_aGanteau, Jean-Michel _4aut |
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| 245 | 1 | 0 | _aThe Ethics of (In- )Attention in Contemporary Anglophone Narrative |
| 260 |
_bTaylor & Francis _bRoutledge [Imprint] _c2024 |
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| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _aRoutledge Studies in Contemporary Literature | |
| 506 | 0 |
_aFree-to-read _fUnrestricted online access _2star |
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| 520 | _aThis volume argues that contemporary narratives evince a great deal of resilience by promoting an ecology of attention based on poetic options that develop an ethics of the particularist type. The contributors draw on critical and theoretical literature hailing from various fields: including psychology and sociology, but more prominently phenomenology, political philosophy, analytical philosophy (essentially Ordinary Language Philosophy), alongside the Ethics of Care and Vulnerability. This volume is designed as an innovative contribution to the nascent field of the study of attention in literary criticism, an area that is full of potential. Its scope is wide, as it embraces a great deal of the Anglophone world, with Britain, Ireland, the USA, but also Australia and even Malta. Its chapters focus on well-established authors, like Kazuo Ishiguro (whose work is revisited here in a completely new light) or more confidential ones like Melissa Harrison or Sarah Moss. Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license. | ||
| 540 |
_aOpen licence _0https://oapen.org/article/rights |
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| 546 | _aeng | ||
| 650 | 7 |
_aBiography, Literature and Literary studies _2thema |
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| 650 | 7 |
_aEthics and moral philosophy _2thema |
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| 650 | 7 |
_aLiterary studies: fiction, novelists and prose writers _2thema |
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| 650 | 7 |
_aLiterature: history and criticism _2thema |
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| 650 | 7 |
_aPhilosophy and Religion _2thema |
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| 650 | 7 |
_aPhilosophy _2thema |
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| 650 | 7 |
_aSocial and political philosophy _2thema |
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| 650 | 7 |
_aTopics in philosophy _2thema |
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| 653 | _a21st Century Literature | ||
| 653 | _aAnatomy of a Soldier | ||
| 653 | _aAnglophone Literature | ||
| 653 | _aAt Hawthorn Time | ||
| 653 | _aAt Hawthorn Time. | ||
| 653 | _aClaire Keegan | ||
| 653 | _aclass | ||
| 653 | _aDave Eggers | ||
| 653 | _aEcology | ||
| 653 | _aEthiics | ||
| 653 | _aGypsy Boy | ||
| 653 | _aHarry Parker | ||
| 653 | _aInga Simpson | ||
| 653 | _aJan Carson | ||
| 653 | _aJenni Fagan | ||
| 653 | _aJon McGregor | ||
| 653 | _aKazuo Ishiguro | ||
| 653 | _aMelissa Harrison | ||
| 653 | _aMikey Walsh | ||
| 653 | _aNarrative | ||
| 653 | _aNever Let Me Go | ||
| 653 | _aPoetics | ||
| 653 | _aSarah Moss | ||
| 653 | _aSmall Things Like These | ||
| 653 | _aSo Many Ways to Begin | ||
| 653 | _aSummerwater | ||
| 653 | _aThe Last Resort | ||
| 653 | _aThe Natural World | ||
| 653 | _aThe Panopticon | ||
| 653 | _aThe Parade | ||
| 653 | _aWhere the Trees Were | ||
| 700 | 1 |
_aGanteau, Jean-Michel _4edt |
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| 700 | 1 |
_aOnega Jaén, Susana _4edt |
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| 793 | 0 | _aOAPEN Library. | |
| 856 | 4 | 0 |
_uhttps://library.oapen.org/handle/20.500.12657/96145 _zFree-to-read: OAPEN Library/DOAB: description of the publication _70 |
| 999 |
_c36871 _d36871 |
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