000 02308 a2200349 4500
001 OB-obp-2413
003 FrMaCLE
005 20251214082700.0
007 cu ||||||m||||
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020 _a978-2-8218-7619-4
040 _aFR-FrMaCLE
041 _aeng
100 1 _aBlumson, Ben
245 1 0 _aResemblance and Representation :
_bAn Essay in the Philosophy of Pictures /
_cBen Blumson.
260 _aCambridge :
_bOpen Book Publishers,
_c2016.
300 _ax + 212 p.
500 _aEbook
520 _a It's a platitude - which only a philosopher would dream of denying - that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait's resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. It's natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description.
540 _aCC-BY-4.0
_uhttps://creativecommons.org/licenses/by/4.0/
650 4 _aHumanities, Multidisciplinary
650 4 _alanguage
650 4 _aMyself
650 4 _aportrait
650 4 _arepresentation
650 4 _alangage
650 4 _areprésentation
650 4 _aportrait
650 4 _aMoi
776 _z978-1-78374-072-7
856 4 _eBlumson, Ben
_uhttps://books.openedition.org/obp/2413
_yResemblance and Representation
999 _c7713
_d7713