000			02965 a2200421 4500
001			OB-aaccademia-11990
003			FrMaCLE
005			20251214082710.0
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020			_a979-12-5500-019-8
024	7		_a10.4000/books.aaccademia.11990 _2doi
040			_aFR-FrMaCLE
041			_aeng
100	1		_aBaldacci, Cristina
245	1	0	_aOn Reenactment: Concepts, Methodologies, Tools / _cCristina Baldacci, Susanne Franco.
260			_aTorino : _bAccademia University Press, _c2022.
300			_a208 p.
500			_aEbook
520			_a This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies – especially intertwining gender, postcolonial, and environmental issues – in the redefinition of knowledge, historical discourses, and memory. This approach also involves questioning canons and genealogies by destabilising authorship and challenging both institutional and direct forms of transmission. The structure of the book playfully recalls that of a theatrical performance, with both an ouverture and prélude, to provide space for a series of theoretical and practice-based insights – the solos – and conversations – the duets – by artists, critics, curators, and theorists who have dealt with reenactment. The main purpose of this book is to demonstrate how reenactment as a strategy of appropriation, circulation, translation, and transmission can contribute to understanding history both in its perpetual becoming and as a process of reinvention, renarration, and resignification from an interdisciplinary perspective.
540			_aCC-BY-NC-ND-4.0 _uhttps://creativecommons.org/licenses/by-nc-nd/4.0/
650		4	_aTheater
650		4	_arievocazione storica
650		4	_astoria della danza e dell'arte
650		4	_aperformance teatrale
650		4	_arievocazione come strategia di appropriazione
650		4	_areconstitution
650		4	_ahistoire de la danse et de l'art
650		4	_areprésentation théâtrale
650		4	_ala reconstitution comme stratégie d'appropriation
650		4	_areenactment
650		4	_ahistory of dance and art
650		4	_atheatrical performance
650		4	_areenactment as a strategy of appropriation
700	1		_aFranco, Susanne
776			_z979-12-5500-017-4
856	4		_eBaldacci, Cristina _uhttps://books.openedition.org/aaccademia/11990 _yOn Reenactment: Concepts, Methodologies, Tools
999			_c8465 _d8465